—Larne Abse Gogarty, Associate Professor, Head of History and Theory of Art, Director of Teaching, Slade School of Fine Art, London
“Anita Iannacchione is a consummate professional. Her editing skills are of the highest quality. I have published fiction and nonfiction with a range of houses both corporate and independent on both sides of the Atlantic, and rarely have I encountered editorial attentiveness and sharpness to match hers.”
—Tom McCarthy, novelist
“Editing my book The Monadic Age was an immense task: thirty-three essays written over a period of fifteen years that should, once brought together, reveal the conceptual building blocks for a theory of the coming social order. Anita approached the challenge with relentless patience and conscientiousness—preserving each essay’s idiosyncracies while meticulously aligning crucial formulations. English is not my first language, and again Anita managed to maintain my particular writing style while rigorously improving flow and readability. In an era of rapidly improving AI editing, Anita's thoroughness stands out more than ever, and I am determined to work with her again.”
—Ingo Niermann, speculative writer; Lecturer, Institute Art Gender Nature, HGK Basel FHNW
“Anita Iannacchione was a delight to work with, and her careful editing of my book A User’s Manual to Claire Fontaine improved the manuscript immeasurably. Anita paid meticulous attention to detail, both at the sentence level as well as in her attention to broader developmental themes. Most importantly, she is genuinely knowledgeable in the fields of visual art and art history and had a curiosity and engagement with my ideas that inspired the best in my writing. I was proud of the final book that emerged, and that was in no small part due to Anita’s thoughtful work.”
—Anita Chari, Associate Professor of Political Science, University of Oregon, Eugene
“Anita worked at our studio for over eight years. She particularly excelled in editorial tasks, with her unusual attention to structure and detail. This enabled the studio to take on the production of catalogues and books in-house, with Anita overseeing the process from A to Z, from researching and finding writers, commissioning content, following up with contributors, designers, publishers, institutions, printers, etc. and always making sure that every aspect met the highest professional standards. She has a great talent for editing and a very natural way of communicating with people that makes anyone want to bring about the best result possible.”