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Caroline Poggi and Jonathan Vinel: Infinite Memory
Edited by Béatrice Grenier
Published by Lenz, Milan, and Fondation Cartier pour l’art contemporain, Paris, 2024
The book is the first monograph of the work of Caroline Poggi and Jonathan Vinel, published in conjunction with the release of the duo’s second feature-length film, titled Eat the Night. Formal experimentation characterizes the work of emerging French film-making duo Poggi & Vinel, who employ the languages of video games, archives, and filmmaking to hybridize genres and break aesthetic conventions. There is ambiguity over the register within which the duo’s work should be situated: Is it film, musical score, game, or animation?
Edited by Béatrice Grenier, considered as an object, the book is a formulation of an archive or a record of the duo’s work, encompassing the variety of mediums with which Poggi & Vinel engage, in addition to the overarching question of memory as explored in their practice. Three essays by Alenda Y. Chang, Béatrice Grenier, and Ingrid Luquet-Gad offer in-depth analyses of the ways in which the work of the duo constitutes a form of preservation through the use and reuse of video game imagery. Identifying key works and turning points, the book provides a commentary on their particular, ambiguous positioning, somewhere between cinema-video and practice-gaming, and helps to explain why this positioning is critical vis-à-vis contemporary art today. In an interview with Philippe Azoury, the filmmakers reflect on the role of community-building both within and outside their films, considering specifically the relationship between the digital characters and the “real” characters, and the importance of gaming in acknowledging and understanding other subjectivities.
Each film selected for the book is transformed into a photo essay, calling into question the nature of the image—the significance it has when moving or still. Spiral-bound, the book is punctuated by an infinity of potential covers: The object itself has no beginning or end. One can pick off where one left off, or enter the narrative at any point—a formal attempt to transcend the nature of the age-old medium.
CLIENT
Lenz
LINK
https://www.lenz.press/products/infinite-memory
CREDITS
Editorial Coordination: Edoardo BonaspettiDesign: Lorenzo Mason Studio
Photos: Lorenzo Mason Studio