Editorial Assistant

Bloomsbury Academic: Art & Visual Culture List
2020–21

• Abject Eroticism in Northern Renaissance Art: The Witches and Femmes Fatales of Hans Baldung Grien by Yvonne Owens
  
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• Anti-Portraiture: Challenging the Limits of the Portrait edited by Fiona Johnstone and Kirstie Imber
  
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• Art Markets, Agents and Collectors: Collecting Strategies in Europe and the United States, 1550–1950 edited by Adriana Turpin and Susan Bracken
  
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• Art, Borders and Belonging: On Home and Migration edited by Maria Photiou and Marsha Meskimmon
  
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• Ashcan Art, Whiteness, and the Unspectacular Man by Alexis L. Boylan
  
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• British Art of the Long 1980s: Diverse Practices, Exhibitions and Infrastructures by Imogen Racz
  
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• Colourworks: Chromatic Innovation in Modern French Poetry and Art Writing by Susan Harrow
  
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• Concerning Stephen Willats and the Social Function of Art: Experiments in Cybernetics and Society by Sharon Lee Irish
  
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• Constructing Race on the Borders of Europe: Ethnography, Anthropology, and Visual Culture, 1850–1930 edited by Marsha Morton and Barbara Larson
  
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• Contemporary Art from Cyprus: Politics, Identities and Cultures across Borders edited by Elena Stylianou, Evanthia Tselika and Gabriel Koureas
  
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• D’Arcy Wentworth Thompson’s Generative Influences in Art, Design, and Architecture: From Forces to Forms edited by Ellen K. Levy and Charissa N. Terranova
  
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• Dada Magazines: The Making of a Movement by Emily Hage
  
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• Edgar Wind and Modern Art: In Defence of Marginal Anarchy by Ben Thomas
  
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• Ellen Emmet Rand: Gender, Art, and Business edited by Alexis L. Boylan
  
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• Enlightened Animals in Eighteenth-Century Art: Sensation, Matter, and Knowledge by Sarah R. Cohen
  
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• Ethics of Contemporary Art: In the Shadow of Transgression by Theo Reeves-Evison
  
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• Feminism and Art in Postwar Italy: The Legacy of Carla Lonzi edited by Francesco Ventrella and Giovanna Zapperi
  
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• Freemasonry and the Visual Arts from the Eighteenth Century Forward: Historical and Global Perspectives edited by Reva Wolf and Alisa Luxenberg
  
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• Futurist Conditions: Imagining Time in Italian Futurism by David Mather
  
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• Georges Rouault and Material Imagining by Jennifer Johnson
  
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• Gustave Caillebotte as Worker, Collector, Painter by Samuel Raybone
  
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• In and Out of View: Art and the Dynamics of Circulation, Suppression, and Censorship edited by Catha Paquette, Karen Kleinfelder, and Christopher Miles
  
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• Irma Stern and the Racial Paradox of South African Modern Art: Audacities of Color by LaNitra M. Berger
  
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• Jean-Jacques Lebel and French Happenings of the 1960s: The Erotics of Revolution by Laurel Jean Fredrickson
  
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• Lead in Modern and Contemporary Art edited by Sharon Hecker and Silvia Bottinelli
  
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• The Life of Forms in Art: Modernism, Organism, Vitality by Brandon Taylor
  
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• Mapplethorpe and the Flower: Radical Sexuality and the Limits of Control by Derek Conrad Murray
  
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• Material Literacy in Eighteenth-Century Britain: A Nation of Makers edited by Serena Dyer and Chloe Wigston Smith
  
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• Modern in the Making: MoMA and the Modern Experiment, 1929–1949 edited by Austin Porter and Sandra Zalman
  
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• Modernist Magazines and the Social Ideal by Tim Satterthwaite
  
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• Old Masters Worldwide: Markets, Movements and Museums, 1789–1939 edited by Susanna Avery-Quash and Barbara Pezzini
  
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• Photofascism: Photography, Film, and Exhibition Culture in 1930s Germany and Italy by Vanessa Rocco
  
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• Photographic Realism: The Art of Richard Billingham by Kieran Cashell
  
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• Photography and the Arts: Essays on 19th-Century Practices and Debates edited by Juliet Hacking and Joanne Lukitsh
  
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• Picturing Russia’s Men: Masculinity and Modernity in Nineteenth-Century Painting by Allison Leigh
  
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• Pioneers of the Global Art Market: Paris-Based Dealer Networks, 1850–1950 edited by Christel H. Force
  
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• Post-Traumatic Art in the City: Between War and Cultural Memory in Sarajevo and Beirut by Isabelle de le Court
  
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• The Present Prospects of Social Art History edited by Robert Slifkin and Anthony E. Grudin
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• Reframing Japonisme: Women and the Asian Art Market in Nineteenth-Century France, 1853–1914 by Elizabeth Emery
  
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• Sculpture and the Decorative in Britain and Europe: Seventeenth Century to Contemporary edited by Imogen Hart and Claire Jones
  
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• The Sensing Body in the Visual Arts: Making and Experiencing Sculpture by Rosalyn Driscoll
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• Single People and Mass Housing in Germany, 1850–1930: (No) Home Away from Home by Erin Eckhold Sassin
  
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• Slow Painting: Contemplation and Critique in the Digital Age by Helen Westgeest
  
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• Teachable Monuments: Using Public Art to Spark Dialogue and Confront Controversy edited by Sierra Rooney, Jennifer Wingate, and Harriet F. Senie
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• Théodore Rousseau and the Rise of the Modern Art Market: An Avant-Garde Landscape Painter in Nineteenth-Century France by Simon Kelly
  
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• Urban and Visual Culture in Contemporary Iran: Non-visibility and the Politics of Everyday Presence by Pedram Dibazar
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• The Versailles Effect: Objects, Lives, and Afterlives of the Domain edited by Mark Ledbury and Robert Wellington
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• Women, Aging, and Art: A Crosscultural Anthology edited by Frima Fox Hofrichter and Midori Yoshimoto
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